ARKITEKSONIK:MEKAN-ZAMANIN SES ARACILIGIYLA GENISLEMIS ALANININ TEKTONIGI

Abstract

Bu alma, mzik ve/ya mimarlk eitimi alm, sesi malzeme olarak kullanan, mekan ses araclyla sorunsallatran ada sanatlarn yaptlar zerine bir incelemedir.Çalma, sanat retimini ses ile mekan-zaman arasndaki etkileim zerinde temellendiren sanatlarn yaptlarn mimarideki tektonik kavram ile analiz eder. Çalmada, sz konusu etkileimi ses sanat, ses enstalasyonlar, ses peyzaj, vb. kavramlardan daha kapsaml ifade eden arkitektonik ve sonik kelimelerinden tretilmi arkiteksonik kavram nerilmitir.Çalma, arkiteksoniin birletirici doasn Rosalind E. Kraussun genilemi alan kuramndan hareketle balam ve deneyim kavramlar zerinden analiz ederek diyagramlatrr.Ortaya koyduu analitik eksenlerin gerekletirilemez idealletirmeler olduunun farknda olan alma sonuta, tm arkiteksonik yaptlarn son diyagramda grselletirilen bu eksenlerin aralarnda konumlanan melez, karmak, heterojen retimler olduunu belirtir.

This study is a research on the works of contemporary artists that received musical and/or architectural education, use sound as a material, and problematize the space via sound.The study analyzes the works of the artists whose artistic productions are based on the interaction between sound and space-time via the concept of tectonics borrowed from architecture. In the study, architecsonics derived from architectonics and sonic is coined as a new concept which identifies this interaction more comprehensively than the concepts like sound art, sound installation, soundscape, etc.The study diagrams the integrative nature of architecsonics analyzing via the concepts of context and experience with reference to Rosalind E. Krausss theory of expanded field.Consequently, the study indicates that all works of architecsonics are hybrid, complex and heterogenous productions which are posited between the axialities presented in the final diagram, recognizing that these analytical axialities are unrealizable idealisations.