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dc.contributor.advisorGüven, Suna
dc.contributor.authorErkal, Namik Günay
dc.date.accessioned2021-05-08T11:33:34Z
dc.date.available2021-05-08T11:33:34Z
dc.date.submitted1995
dc.date.issued2018-08-06
dc.identifier.urihttps://acikbilim.yok.gov.tr/handle/20.500.12812/687236
dc.description.abstractABSTRACT CONSTANTINOPOLIS: A STUDY ON THE CITY OF CONSTANTINOPLE AS THE ARTIFICE OF CONSTANTINE THE GREAT'S IMPERIAL PROJECT Erkal, Namık Günay M-A.in Department of Architectural History Supervisor: Prof. Dr. Suna Güven May 1995, 245 pages Constantinople-Istanbul is a historical multi-layered city. One of its successive stages is its foundation by Constantine the Great between 324-330 as the new capital of the Roman Empire. In this study the foundation of Constantinople is examined as an imperial urban project. In order to understand the `now invisible` Constantinian city it is necessary to separate and analyse the multi-dimensional aspects of its artificial creation: the site, the urban theory, the planner and his aims. The resultant became a suitable setting for the imperial synthesis of the Christianity and the antique pagan culture. What combines those aspects in the body of the city, and also in the structure of the thesis, is the theme of `unity` achieved by the Roman imperial classicism. Keywords: Sole Emperor, Imperial Project, Late Antiquity, Early Christianity, Conversion, Absolutism, Roman Imperial Classicism, Unity, Architecture of the City. Science Code: 601.01.03. in
dc.description.abstractABSTRACT CONSTANTINOPOLIS: A STUDY ON THE CITY OF CONSTANTINOPLE AS THE ARTIFICE OF CONSTANTINE THE GREAT'S IMPERIAL PROJECT Erkal, Namık Günay M-A.in Department of Architectural History Supervisor: Prof. Dr. Suna Güven May 1995, 245 pages Constantinople-Istanbul is a historical multi-layered city. One of its successive stages is its foundation by Constantine the Great between 324-330 as the new capital of the Roman Empire. In this study the foundation of Constantinople is examined as an imperial urban project. In order to understand the `now invisible` Constantinian city it is necessary to separate and analyse the multi-dimensional aspects of its artificial creation: the site, the urban theory, the planner and his aims. The resultant became a suitable setting for the imperial synthesis of the Christianity and the antique pagan culture. What combines those aspects in the body of the city, and also in the structure of the thesis, is the theme of `unity` achieved by the Roman imperial classicism. Keywords: Sole Emperor, Imperial Project, Late Antiquity, Early Christianity, Conversion, Absolutism, Roman Imperial Classicism, Unity, Architecture of the City. Science Code: 601.01.03. inen_US
dc.languageEnglish
dc.language.isoen
dc.rightsinfo:eu-repo/semantics/embargoedAccess
dc.rightsAttribution 4.0 United Statestr_TR
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectMimarlıktr_TR
dc.subjectArchitectureen_US
dc.titleConstantinopolis: A study of the city of Constantinople as the artifice of Constantine the Great`s Imperial Project
dc.title.alternativeKonstantinopolis: Büyük Konstantin'in İmparatorluk Projesi üzerine bir çalışma
dc.typemasterThesis
dc.date.updated2018-08-06
dc.contributor.departmentDiğer
dc.subject.ytmThe Great Constantine
dc.subject.ytmImperial project
dc.subject.ytmCostantinapolis
dc.subject.ytmIstanbul
dc.subject.ytmClassical Rome architecture
dc.subject.ytmArchitectural history
dc.identifier.yokid43322
dc.publisher.instituteSosyal Bilimler Enstitüsü
dc.publisher.universityORTA DOĞU TEKNİK ÜNİVERSİTESİ
dc.identifier.thesisid43322
dc.description.pages245
dc.publisher.disciplineDiğer


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