Hasan Ferit Alnar`ın makamlardaki armoni anlayışı (10 Yunus Emre ilahisi ve kanun konçertosunda H.F. Alnar`ın makamlar için uyguladığı armoninin araştırılması)

Abstract

Hasan Ferit ALNAR'm, Makamlardaki Armoni Anlayl,t ( 10 Yunu, Emreilahi,i ve Kanun Kon~erto,unda H. F. Alnar'm Makamlar i~in Uyguladti/!Armoninin ~tlnlmaSl )`, konu b~ltk.ll bu tezde, TUrk Miizigi MakamlarlkuUarularak yazl1an s;ok sesli TUrk MUzigi eserleri ince]enmi~tir. Bu tez, C;ok SesliTiirk Miizigi konusunda ~~ma yapan bestecilere kulYUk de olsa yarrlmICl bir9ab~ma OImasl amaclyla hazrrlanmI~trr.Hasan Ferit ALNAR'!O TUrk Miizig,i aylsmdan onemli alan, kendisinin yokseslendirdigi lOYunus Emre iIahisi ile Kanun Konyertosu Makamsal ve Armonik.ayldan incelemeye almrru~tlr. lnceleme suasmrla her iki eser de ()1yU 0196incelenmi~tir. Yunus Ernre ilahileri daba onceden TUrk Miizigi Makamlanyla veUsfilleriyle bestelendigi iyin lIahilerin tamaml incelemeye ahndl. Fakat KanunKOllgertosWlda Tfuk Miizigi rengi ~unayan pasajlar inceleme dl~mda buaktldt.IIIS~ilen eserlerde incelemeye alman kIsunlar, Klasik Annoni, D5rtlti Arrnoni veArallk sisternlerine gore incelenmi~tir_Yaptlan incelemelerde Bestecinin makamlarda kullandlgl akor ve baglannlanar~lrm~tIr. Ortaya s;lkan sonus;lar slmtlandtnlrrlJ~ ve karakteristik akorbaglantIlan yaztlml~Lf. Akorlann struflandmlmasl sonucunda ortaya r;Lkanistatistiklerin d6ktimti yapllrm~tlf. Buradan hareketle. bestecinin 3'Iil, D5rtlti Annonive Ara1tk sistemlerini hangi makamda, ne stkhkta kullanrugl bir tabloyla8/'tklammlttr. Bu tabloyla Hasan Ferit ALNAR'm hangi makarru, hangi annoniksistemle elleltirdigi yorumlanmaya 'ialililmilbr. Bu bilgiler Illgmda, Ferit Aloar'men 'iok kullanrugl akorIar ortaya 'itkanhml ve bu akorIar ikinci bir tabloylaas;lklannu~tlf.Hasan Ferit ALNAR gibi tistad besteciJerin omek almmaslW ve C;;ok Sesli TUrkMtizigi'nin yeni beste ve bestecilerle zenginle~mesini temenni ediyoruz

The Thesis `Hasan Ferit ALNAR's Hannonic Approach in Maqams, ( Searchingof the Hannony, that H. F. Alnar applied for Maqams in 10 Yunus Emre Dahis andConcerto of Qanun )` aims to analyze 2 pieces of Hasan Ferit ALNAR polyphonicTurkish Music, which have Turkish Music notes and be an example as a guide forthose who study on this topics.2 pieces of Hasan Ferit ALNAR which important ahout Turkish Music, 10 I1ahisof Yunus Emre which he converted to polyphonic music and his Concerto of Qanun.are investigated about Maqam and Harmony topics. At investigate time, both of 2pieces are searched by measure and measure. Yuous Emre's 10 I1ahis has beencomposed before, by rules ofClassical Turkish Music. But in Concerto of Qanun, thepassages which don't include Turkish Music character in Concerto of Qanun, arediscarded outside of the search.vThe parts, which were chosen in pieces, are exerninated according to ClassicalHarmony, Quarted Harmony and Interval Systems.In this thesis, we searched for chords and characteristic Cadances which H. FeritALNAR used in Maqams. We classed the results of this search and wrotecharacteristic Cadances. Statistics have been written, that we've fO/.Uld after thisclassify.According to this statistics, we made a table that explains, which Harmony Systemhow often used in which maqam by H. Ferit Alnar. With this table, we tried tointerpret which hannonic structure matches, which maqam. At this time we foundout the chords, which most used by H. Ferit AInar in maqams and these chords areshowed in a second table.We hope that young Turkish Musicians to take Hasan Fedt ALNAR as anexample and Turkish Music will be richer, with new composition and composers.