Uygur Türklerinde on iki mukam sanatı

Abstract

UYGUR TÜRKLERİNDE ON İKİ MUKAM SANATI TÜRK SANATININ AYRILMAZ BİR PARÇASIDIR. DAHA ÖNCE HALK ARASINDA KUŞAKTAN KUŞAĞA AKTARILAN MUKAM MÜZİKLERİ ON ALTINCI YÜZYILDA YERKENT HANLIĞI SULTANI ABDÜLREŞİT HAN'IN HANIMI AMANNİSAHAN'IN MÜZİSYENLERİ BİR ARADA TOPLAYARAK GERÇEKLEŞTİRDĞİ SİSTEMLİ DERLEME ÇALIŞMALARI SONUCUNDA KENDİ İÇERİSİNDE BÜTÜNLÜK OLUŞTURUAN BİR MÜZİK SİSTEMİ HALİNE GETİRİLDİ.UYGUR MUKAM SANATI SAVAŞ VE TOPLUMSAL ÇALKANTI YÜZÜNDEN BİR ZAMANLAR YOK OLMA TEHLİKESİYLE KARŞI KARŞIYA KALMIŞTIR. 1950'Lİ YILLARDAN SONRA MUKAM SANATI ESKİ PARLAKLIĞINA YENİDEN KAVUŞTU.

Uygur Twelve Mukams are an integral part of Turkish musical art. As previously, Mukam music transferred from generation to generation among the Uygur people. 16. century, Sultan of Yarkent Khanate Abdürreşid Han's wife Amannisahan's musicians, as a result of systematic compilation work, brought into because of war and social turmoil, once had faced to extinction. After 1950, Mukam art was brought to the former brightness by Uygur people. In the first part of this study, description of Uygur Mukam Art has been working in a detailed manner, also Uygur Twelve Mukams has been discussed in detail with historical development process and mukam types and structures.