Kübizmin sinemaya etkisi: Otomatik Portakal filminin çözümlenmesi
dc.contributor.advisor | Küçükerdoğan, Bülent Bahri | |
dc.contributor.author | Atasoy, Ayşe Duygu | |
dc.date.accessioned | 2021-05-08T07:12:57Z | |
dc.date.available | 2021-05-08T07:12:57Z | |
dc.date.submitted | 2014 | |
dc.date.issued | 2018-08-06 | |
dc.identifier.uri | https://acikbilim.yok.gov.tr/handle/20.500.12812/629547 | |
dc.description.abstract | Bu çalışmada kübizm sinemaya etkisi Stanley Kubrick'in filmi olan Otomatik Portakal üzerinden incelenmiştir. Çözümleme üç temel noktada yapılmıştır; mitoloji, kurgu ve ikilikler. Çözümleme için filmin içerisinden 101 plan seçilerek Roland Barhes'ın göstergebilimsel çözümlemesine göre yananlam ve düzanlam olarak incelenmiştir. | |
dc.description.abstract | In this study, the influence of Cubism on Film is analysed taking Stanley Kubrick's film `Clockwork Orange` based on the novel by Anthony Burgess as a basis. The film is analysed in terms of three basic elements; mythology, editing and contradictions. In the course of the study 101 plans are selected, compared and interpreted regarding their direct and indirect meaning according to Roland Barthes' visual-semiotics study. As a result of the study some plans can be said to consist of cubic elements which are explained in details and `Clockwork Orange` may be described as a Cubist film.Key Words: Cinema, Stanley Kubrick, Cubism, Clockwork Orange, Roland Barthes | en_US |
dc.language | Turkish | |
dc.language.iso | tr | |
dc.rights | info:eu-repo/semantics/openAccess | |
dc.rights | Attribution 4.0 United States | tr_TR |
dc.rights.uri | https://creativecommons.org/licenses/by/4.0/ | |
dc.subject | Sahne ve Görüntü Sanatları | tr_TR |
dc.subject | Performing and Visual Arts | en_US |
dc.subject | İletişim Bilimleri | tr_TR |
dc.subject | Communication Sciences | en_US |
dc.title | Kübizmin sinemaya etkisi: Otomatik Portakal filminin çözümlenmesi | |
dc.title.alternative | The influence of cubism on film / analysis of `Clockwork Orange` | |
dc.type | masterThesis | |
dc.date.updated | 2018-08-06 | |
dc.contributor.department | İletişim Tasarımı Ana Bilim Dalı | |
dc.subject.ytm | Kubrick, Stanley | |
dc.subject.ytm | Film analysis | |
dc.subject.ytm | Semiotics | |
dc.subject.ytm | Cubism | |
dc.subject.ytm | Cinema | |
dc.identifier.yokid | 10062891 | |
dc.publisher.institute | Sosyal Bilimler Enstitüsü | |
dc.publisher.university | İSTANBUL KÜLTÜR ÜNİVERSİTESİ | |
dc.identifier.thesisid | 383881 | |
dc.description.pages | 117 | |
dc.publisher.discipline | İletişim Tasarımı Bilim Dalı |