Örneklerle Cinuçen Tanrıkorur`un ud taksimleri ve analazi

Abstract

Bu yah~mada, TUrk MUzigi'nde taksim formunun tanlml, TUrk MUzigi tarihiiyerisindeki geli~imi ve gUniimiize geli~i incelenmi~, taksim formunun ogeleri vetiirleri tanlmlanml~t!r. Cinuyen Tamlkorur'un hayat! ve sanat ya~aml incelenerek,sanatymm hayat! boyunca yapml~ oldugu tiim eserlerinin listesi yapllml~tlr. CinuyenTamtkorur' a ait altl ayn makamda icra edilmi~ taksim incelemni~tir. Slraslyla Nikriz,MuhayyerkUrdi, Uzzal, Bayati, Araban, f)evkefza ve Rast makamlannda taksimier.Taksimler; form ozellikleri baklmmdan inceJemni~tir, form ozelliklerininincelemnesi; biyim, yapt ve iisiup baklmmdan incelemeleri de iyermektedir. Dahasoma melodik incelemeleri yapllml~t!r. Ritim ozellikleri aylSIndan da inceienerek,sanatymm ud icrasl ve uslubu da incelemni~tir. Cinuyen Tamlkorur'u tanlyan bazl

In this study, definition of extempore form in Turkish Music, history of Turkish Music,development from the past to the present are anlysed and elements and types of extemporeform are characterized. By anlysing C;:inugen Tannkorur's life and artistic life, all the artist'slifetime complete works are listed. C;:inugen Tamlkorur's extempore which has been exercisedin six different modals is analysed. In order of that these are; extempore in Nikriz mode ofmusic, extempore in Muhayyerkurdi mode of music, extempore in Uzzal mode of music,extempore in Bayati Araban mode of music, extempore in Sevkefza mode of music andextempore in Rast mode of music. Extempores are analysed in terms of form, analysing ofform characteristics involves anaIysises of format, structure and style. After that their melodicanalysises are performed. By analysing in terms of rhythm, artist's lute execution and styleare analysed. Some musicians who know C;:inugen Tannkorur, the artist's students and wifeput forward their views.