Show simple item record

dc.contributor.advisorŞener, Sevda
dc.contributor.authorUğurlu, Zişan
dc.date.accessioned2021-04-26T09:38:16Z
dc.date.available2021-04-26T09:38:16Z
dc.date.submitted1996
dc.date.issued2018-08-06
dc.identifier.urihttps://acikbilim.yok.gov.tr/handle/20.500.12812/525946
dc.description.abstract
dc.description.abstractSUMMARY Human civilization has emerged and developed as play` within the play. Play, which existed before culture, is an act that accompanied and defined culture from its beginning to the present era. Play is a free activity placed outside of daily life, an imaginary and fictional experience, yet which the player indulges in with joy and pleasure. It is free as concepts like materialistic benefit. It is performed in an organized manner, within a specified limited time and space, following certain rules. To discover one's self is a vital necessity which appears during the period of creativity. During the play, we get to know ourselves and by having our mind freed we start to question the pressures exerted by life and social order. We find out the child within ourselves with joy and pleasure. We reach the `childish` enthusiasm, creativity and the oppurtunity of being `itself`. The man in play actually drawing the picture of happiness. The plays of Turkish playwrights, who had chosen the concept of play as a theme. Show varieties according to ideological and sentimental conditions and the lifestyles of the periods at which were written in. The lively and exciting structure of the play has evolved into a state of sadness as the result of modern man's anxiety, alienation and existential troubles. In 166today's understanding, modern man is no longer playing. The oppression of the modem longing for benefit has erodicated the excitement, self-esteem, creativity, desire to go back to the inner `child` in man. All created by the fleeling of play. With the collopse of the world of play, the culture which has emerged and developed in unity with the concept of play, now enters a phase of decline and corruption. Hope lies in the belief of those who love to play again, and are convinced that they can charge the flow of history in this way. 167en_US
dc.languageTurkish
dc.language.isotr
dc.rightsinfo:eu-repo/semantics/embargoedAccess
dc.rightsAttribution 4.0 United Statestr_TR
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectSahne ve Görüntü Sanatlarıtr_TR
dc.subjectPerforming and Visual Artsen_US
dc.titleKültürel bir olgu olarak oyun
dc.title.alternativeThe Play as a cultural concept
dc.typedoctoralThesis
dc.date.updated2018-08-06
dc.contributor.departmentDiğer
dc.subject.ytmTheatre
dc.subject.ytmCulture
dc.subject.ytmHappiness
dc.subject.ytmTurkish theatre
dc.subject.ytmGames
dc.subject.ytmCreativity
dc.identifier.yokid51630
dc.publisher.instituteSosyal Bilimler Enstitüsü
dc.publisher.universityANKARA ÜNİVERSİTESİ
dc.identifier.thesisid51630
dc.description.pages165
dc.publisher.disciplineDiğer


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

info:eu-repo/semantics/embargoedAccess
Except where otherwise noted, this item's license is described as info:eu-repo/semantics/embargoedAccess