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dc.contributor.advisorParman, Ebru
dc.contributor.authorUysal, N. Derya
dc.date.accessioned2020-12-29T18:25:03Z
dc.date.available2020-12-29T18:25:03Z
dc.date.submitted1990
dc.date.issued2018-08-06
dc.identifier.urihttps://acikbilim.yok.gov.tr/handle/20.500.12812/472461
dc.description.abstractthis study which is on Bysantiuja asabons in the {Tur kish museums is composed of parts which are titled 5 list of publications 5 defination of aabonj etymological mean ing; its functions 1 its place within churches 5 typology of asbonj antique marble quarries 5 catalogues ©valuation and results e In this study fifty-four asbos pieces which are in Shark! sfc museusss have been examined* The publications which give information on assbon and those that deal with asabon as a liturgical ©lemont and provide general infor mation hav® been promoted- under the heading of ambon, a definition has been given? its functions have been stated and its place within churches has been identified in accor» daac® tilth the data obtained in various excavations?. Also the typology of asbons has been given0 In the section titled, w Marble quarries in Turkey `, those quarries which are in operation since th© times of antiquity, exca vation of marble fro® quarries and the structure of isarble as s stone have been ©xsaiined.? In the section of ` Cata logue` those asbon pieces which are presently being exhi bited in th© thirty-four suseuiss have been examined sepa rately© After presenting the information that are found in inventories (on the where it was found f how it was brought to the zauseusij th® date at which it ¥&s brought to the auseuiSc inventory number) and also stating th® present knowledge s histories 9 bibliographies and sisilar examples s a description for each ambon piece has been made- In the evaluation section5 similarities and distinc tions of the ambon pieces that were selected have been ©xasined* Their numerical distribution within the aruseusssXV decoration techniques and their typologies have been sta ted^ For reaching to conclusions on the dates of those asibon pieces which were exasined in this study 9 they were compared Kith :c Anatolian :' and ` non-Anatolian t! examp- les9 In the conclusion section, conclusions which wer© reached froa catalogue and evaluation have been stated* Ât the end of the thesis a bibliography has been gi ven-, Lists related to the types of ambons5 their dates 5 compositions that arc placed on them, types, present sta tes 5 how they were brought to the museums 3 their distri bution within the museums $ those museums where the res©~ arch was done3 the number of asibon pieces found in the auseuss and decorative techniques of asbons have been presented* Detailed pictures of the asbon pieces and the drawings of those asfoon pieces which were restituted have also been given oen_US
dc.languageTurkish
dc.language.isotr
dc.rightsinfo:eu-repo/semantics/embargoedAccess
dc.rightsAttribution 4.0 United Statestr_TR
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectArkeolojitr_TR
dc.subjectArcheologyen_US
dc.titleTürkiye müzelerindeki Bizans ambonları
dc.typemasterThesis
dc.date.updated2018-08-06
dc.contributor.departmentArkeoloji ve Sanat Tarihi Anabilim Dalı
dc.subject.ytmMuseums
dc.subject.ytmByzantines
dc.subject.ytmAmbon
dc.identifier.yokid12420
dc.publisher.instituteSosyal Bilimler Enstitüsü
dc.publisher.universityHACETTEPE ÜNİVERSİTESİ
dc.identifier.thesisid12420
dc.description.pages282
dc.publisher.disciplineDiğer


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