Türk tezhib sanatında bitkisel kökenli motiflerin analizi

Abstract

0:^ SUKMAPY The Ornaments which derived end stilized from the nature and formed, occured the main sketchs became the primary characteristics of the decorative erte- Through the developement of the history of the arts, artists having the different cultures were influenced from each other and consequently produced thousands of ornaments. The origins of the Ornaments which connected to the Central Asian arts and trsnsfered by Sel Juki d to the Ottoman mi lieu, were arranged with their special characteristic at all of the branches of ornamental arts-Ke may divide the branches of Ornaments into subdivisions; Geometric tenons, Rumi ' s.KUnhani 's.Cintemani 's', Cloud's the animals in the nature the imaginative creatures such &s dragon sinurg.chilir., zümrüt-ü anka bird, angels by the medhod of ss: - The ornaments which were inspired from the flowers and plants a-Eranches and leafs, fc-St i 1 ized f lowers, c-semi stilized ornaments, d-F lovers which were made in the naturalist style, e-Other decora tive or i g i ns, a > vases, kurde las, basket s, f 1 owerpot s, abundenc e horn - b)The pictures of the Kaaba and Hedina.iThe Ornaments which has c- rigin of flowers has great importance in the art of gilding. After the confession of Islam by Turks, thanks to prohibition of drawing of living creatures, the.ornaments having the flower origin became an important source for artistic product ions -The ornaments which were inspired from the nature were drawn stil ized and.were thought..the f lower -which was crosscut in -length.a.ndbre ad - th called the group of hatai. From that group the ones which were crosscut in breadth cal' (94İ- ~ ~led penç- Besides, the leefs and the crosscut in length which uti lized the bud of the omenent are in the group of ornerents. The composition of the design is derived by the leafs, hatsi, penc.bud and the leaf s sre desingned according to s symetric or- der-The ornepents are differentiated with the desings-Ey the XVI- century the naturalist approach pay be deö-uctBû in our decorative a r t s - The ornepents which were used the desing called Karapemi are the flowers in the nature such as rose, tul ip.carnat ion. and sUsen- At the beginning of the XVI II -century by the influence of western arts, t he naturalist flowers called the.^ükufe.style and Edirnekari tns.y seen in cur decorative arts. By the influence of Italian and French arts the Turkish Rokoko occured. The love and tenderness which are shewed tc flower msde it a very important materiel that used in every branches of the arts- Not only the flowers benefitts but also their thousands of colors becspe the source of the inspiration of the Artists- (95) ?i/k: