Show simple item record

dc.contributor.advisorErgın, Nına
dc.contributor.authorDimmig, Ashley
dc.date.accessioned2020-12-08T07:54:25Z
dc.date.available2020-12-08T07:54:25Z
dc.date.submitted2012
dc.date.issued2018-08-06
dc.identifier.urihttps://acikbilim.yok.gov.tr/handle/20.500.12812/169306
dc.description.abstractThis thesis will explore the ability of Ottoman imperial textiles to construct and manipulate space through multi-sensory perception or experience. I will analyze the ways in which the materiality of the medium shapes the use of textiles, both in architecture as well as on the body, in order to draw conclusions about their underlying cultural, political, and religious meanings. Textiles were not merely seen; they were also touched, smelled, and heard. Indeed, they covered nearly every surface in and around the palaces and imperial mosques. Moreover, they functioned as a primary tool in the regulation of sensory experience, which was integral to the construction and propagation of the sultan's imperial identity. Therefore, in order to understand the distinctly Ottoman manifestations of what Lisa Golombek called the ?draped universe of Islam,? I will employ the methodological framework of sensory anthropology, which has heretofore never been applied to the textile arts.
dc.description.abstractThis thesis will explore the ability of Ottoman imperial textiles to construct and manipulate space through multi-sensory perception or experience. I will analyze the ways in which the materiality of the medium shapes the use of textiles, both in architecture as well as on the body, in order to draw conclusions about their underlying cultural, political, and religious meanings. Textiles were not merely seen; they were also touched, smelled, and heard. Indeed, they covered nearly every surface in and around the palaces and imperial mosques. Moreover, they functioned as a primary tool in the regulation of sensory experience, which was integral to the construction and propagation of the sultan?s imperial identity. Therefore, in order to understand the distinctly Ottoman manifestations of what Lisa Golombek called the ?draped universe of Islam,? I will employ the methodological framework of sensory anthropology, which has heretofore never been applied to the textile arts.en_US
dc.languageEnglish
dc.language.isoen
dc.rightsinfo:eu-repo/semantics/embargoedAccess
dc.rightsAttribution 4.0 United Statestr_TR
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectArkeolojitr_TR
dc.subjectArcheologyen_US
dc.subjectSanat Tarihitr_TR
dc.subjectArt Historyen_US
dc.subjectTarihtr_TR
dc.subjectHistoryen_US
dc.titleSynaesthetic silks: The multi-sensory experientiality of Ottoman imperial textiles
dc.title.alternativeİpek: Osmanlı'da tekstil kullanımı
dc.typemasterThesis
dc.date.updated2018-08-06
dc.contributor.departmentArkeoloji ve Sanat Tarihi Anabilim Dalı
dc.subject.ytmOttoman history
dc.subject.ytmOttoman Period
dc.subject.ytmOttoman archive
dc.subject.ytmTextile
dc.subject.ytmTextile history
dc.subject.ytmTextile art
dc.subject.ytmOttomans
dc.identifier.yokid464366
dc.publisher.instituteSosyal Bilimler Enstitüsü
dc.publisher.universityKOÇ ÜNİVERSİTESİ
dc.identifier.thesisid449786
dc.description.pages157
dc.publisher.disciplineArkeoloji Bilim Dalı


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record

info:eu-repo/semantics/embargoedAccess
Except where otherwise noted, this item's license is described as info:eu-repo/semantics/embargoedAccess