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dc.contributor.advisorMutman, Mahmut
dc.contributor.authorAnafarta, Orhan
dc.date.accessioned2020-12-04T09:13:56Z
dc.date.available2020-12-04T09:13:56Z
dc.date.submitted2001
dc.date.issued2018-08-06
dc.identifier.urihttps://acikbilim.yok.gov.tr/handle/20.500.12812/69457
dc.description.abstract
dc.description.abstractABSTRACT VISUAL LITERACY, METAFICTION, AND HORROR MOVIES: AN ACCOUNT OF SELF-REFLEXIVITY IN THE NEW STALKER FILM Orhan Anafarta Ph. D. in A.D.A Supervisor: Assist. Prof. Dr. Mahmut Mutman July, 2001 This study investigates the significance of metafiction, game, and visual literacy as they relate to today's changing practices of spectatorship. These concepts are elaborated in relation to the rebirth of the eighties' horror film genre 'stalker' as a self- reflexive text in the nineties. Scream (Wes Craven, 1996) is taken as the purest specimen of the 'new stalker' in which the above- mentioned concepts can be observed with clarity. Keywords: Visual literacy, metafiction, stalker film, game. Illen_US
dc.languageEnglish
dc.language.isoen
dc.rightsinfo:eu-repo/semantics/openAccess
dc.rightsAttribution 4.0 United Statestr_TR
dc.rights.urihttps://creativecommons.org/licenses/by/4.0/
dc.subjectSahne ve Görüntü Sanatlarıtr_TR
dc.subjectPerforming and Visual Artsen_US
dc.titleVisual literacy , metafiction, and horror movies: An account of self-reflexivity in the new stalker film
dc.title.alternativeGörsel okur-yazarlık, üst-kurmaca ve korku filmleri: Yeni stalker filminde kendi üzerine düşünen kurgu olgusunun değerlendirilmesi
dc.typedoctoralThesis
dc.date.updated2018-08-06
dc.contributor.departmentDiğer
dc.subject.ytmStalker
dc.subject.ytmMetafiction
dc.subject.ytmFilm
dc.subject.ytmGames
dc.subject.ytmVisual sensitivity
dc.identifier.yokid105678
dc.publisher.instituteGüzel Sanatlar Enstitüsü
dc.publisher.universityİHSAN DOĞRAMACI BİLKENT ÜNİVERSİTESİ
dc.identifier.thesisid103679
dc.description.pages152
dc.publisher.disciplineDiğer


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